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This month’s expert advice from tutor Lesley Cryer covers the all important concept of Show Don’t Tell, Ten Top Tips shows you how to quadruple your chances of being published and double your fees, plus there’s the usual mix of student successes, useful websites and inspiration.

E-zee Writer
Top Tips For Writers

Issue 109
October 2009

Hello and welcome to Autumn,

Nippy mornings and the nights drawing in – seem familiar?

Well, for those of you in the northern hemisphere anyway. I am in disbelief that Halloween is almost upon us again! But, instead of just talking about that, which would be the obvious thing to do, I thought I would have a nosey at what other events happen in October that get overshadowed by Halloween. The 21st hosts Apple Day in the UK, 24th is United Nations Day, 28th is Ochi Day in Greece to name just three, plus there are numerous month-long observances, especially in the USA, such as National Dental Hygiene, Downs Syndrome, Spina Bifida, Domestic Violence and Infertility months and it is World Blindness Awareness Month too – phew!

Expert Advice covers the age-old, but super important, concept of Show Don’t Tell, which many new writers struggle with. If that’s you, don’t despair – Lesley Cryer is here to help. By the end of this article you’ll have no trouble understanding what it means. Dave Cullen provides you with inspiration this month – thanks Dave for taking the time to send me your story, I’m sure it’ll inspire many of our readers.

Ten Top Tips covers the area of photography. Photographs can quadruple – yes, I did say quadruple – your chances of being published and give you the possibility of doubling your fees, so they are well worth including in your submission. And, if you really can’t take them yourself, or rope your friends into it, there’s a website in Useful Websites that should solve your problems.

Just harking back to Halloween for a moment, here are some eerie coincidences that might get your spine tingling. Did you know, for instance, that Mark Twain was born on the day Halley’s Comet appeared in the night sky? He then predicted his own death would occur 75 years later when the comet re-appeared, which it did – spooky. I was also shocked to hear that so many Richard Parkers have been cannibalised so, if you know any, don’t let them go on a sea voyage! Facts like this could make for some interesting articles. See Useful Websites for more information.

Also featured in Useful Websites is an unusual route to publication that could just prove to be a real gem for convincing publishers that there’ll be a market for your work.

Sue Wilkes, one of our tutors, has a new book due out on 30th October. It’s called ‘Regency Cheshire’ and focuses on the shenanigans of the great county families, often at the expense of the humble peasant folk. Another of our tutors, Jackie Cosh, also has just published her first book ‘Alzheimers: The Essential Guide’ which is pretty self-explanatory. It is on sale here.

I know that writing can be a lonesome occupation – hours sitting in front of a computer or scribbling down notes can seem tiresome even if writing is your passion. One of the best ways to freshen up is to get out and about so here are a few ideas for where you could go this month.

If you fancy some performance poetry you should show up early to the open-mic sessions on Monday evenings at The Long Valley, Winthrop Street, Cork. The next one on the 26th October is the O Bheal Jazz Poetry Night featuring BACRA MeN and Romanian poet Denisa Mirena Piscu. Entrance is free and the night begins at 9.00pm. More information here.

If you can commit to five Sunday afternoons and live near Muswell Hill in London you may want to book yourself a place on the final Creative Capital Creative Writing Workshop session of 2009. They begin on the 15th November and end on the 13th December. It’s £75.00 for the five afternoons, places are limited to 10 per workshop so there is a great deal of flexibility as to what can be covered and ‘yummy biscuits’ are provided! More information can be found here.

Our Writer of The Year Competition is now accepting entries. We’d like to know how being on one of our courses has changed your life – are you now a full-time writer? Do you make thousands of pounds from your historical novels? Or, are you happy to have had only one article published? Let us know and be in with a chance of winning yourself £250! If you don’t win you could be one of our runners-up and still bag a healthy £50.

Finally, our flash fiction winners are available to view here – congratulations to Terry Prince.

Cheerio for now,

Shelley x

THE WRITERS BUREAU
STUDENT STORIES

“A characteristically imaginative Piscean, my ambition was always to be a writer. As a young man I broached many fields; crime fiction, humour, scriptwriting and, being a steam fanatic, even a fantasy technical work about steam locomotives, complete with my own designs. Can you imagine how I felt receiving rejection upon rejection? Not a glimmer of interest. Angry and dejected, I gave up.

“Years later, in 2007, I stumbled across The Writers Bureau page in a magazine, and with Piscean impulsiveness, enrolled immediately. I worked my way through the assignments, submitting my efforts to my tutor. His appraisals were very encouraging; emphasising my strengths while tactfully identifying my weaknesses, and it wasn't long before I realised my previous failings had been largely due to presentation. My writing had been mere words with no style; no natural 'flow'. Finally wise to this, I could do something about it.

“I progressed with the course following my tutor’s recommendations. Before long he suggested I submit the best of my course work to the magazines I had written them for. I sent the work and waited; desperate for yet, with my previous track-record, dreading their responses.

“Then, in the space of one week, I received not one but two acceptance letters! One from Paranormal magazine, wanting to use my article on a scientific theory about hauntings and another from The Lady, accepting a chronicle-style article. I received a subscription to Paranormal and £80.00 from The Lady. But, more importantly, I was now a published writer – twice over. After my previous woes, the feeling was indescribable.

“Fired with enthusiasm, I submitted articles, letters, photos, advice items; everything I could produce, to selected magazines, including my wife's weeklies. Before long, payments had rendered the WB money-back guarantee obsolete.

“Early in 2008 I realised July 3rd would be the 70th anniversary of the steam locomotive named Mallard setting the 126 mph world speed record. Following the wisdom in “write about what you know” I set to work on "A Legend Called Mallard" aimed at the monthly publication Best of British. Not only was this accepted, with the locomotive adorning the front cover, it appeared in the July issue as their tribute to this historic achievement. So proud, I viewed the payment as merely an added bonus. The magazine continues to publish my work.

“My most consistent success, however, has been with the weekly publication That's Life! This has several sections offering cash payments, including "Rude Jokes of the Week" and "Aren't Men Daft"(AMD); paying £15 and £25 per item respectively. To date, they've used 30 jokes I've submitted and three AMDs which my wife e-mailed, seeing as this feature is intended for women to have a chuckle at their menfolk. Profitable? Please do the sums. I'm not so daft after all!

“I now write nearly every day and am further looking into publishing a book of my risqué jokes. My ultimate goal is to research and write a book on the Dark Age warrior behind the legend of King Arthur. Ambitious? Maybe; but far less so than my current achievements could ever have seemed three years ago.”

Dave Cullen, Leeds

Thanks, as always, to Dave for sharing his inspirational story with us. If you would like a prospectus for the Comprehensive Creative Writing Course or any of our other courses please email us here with your full name and postal address.

Or, to share your success stories with others, just send an email to ezeewriter@writersbureau.com with 'Success Story' in the subject line.

FREELANCE MARKET NEWS
an essential guide for freelance writers

For up-to-date market information, Freelance Market News is invaluable.

Issued 11 times a year it's packed with information on markets in Britain and around the globe, plus you get all the latest news and views on the publishing world.

Every subscription comes with FREE membership of The Association of Freelance Writers. Your membership also entitles you to discounts on books and competitions, a free appraisal worth over £30 and a Membership Card which confirms your status as a Freelance Writer.

FREE sample copies are available to view at the website, along with more details about the magazine and how you can subscribe.

www.freelancemarketnews.com

This Month
How to write under the pseudonym of a woman, plus all your usual market and competition information.

EXPERT ADVICE

SHOW, DON'T TELL

by Lesley Cryer

When writing fiction, it’s vital to fully engage your readers’ attention so they keep turning the pages. One of the most effective methods of doing this is to show rather than tell. If you tell, you’re simply reporting what happens, which tends to distance the readers – they feel they’re learning about something second-hand, through a dull summary of the events. If you show through dialogue and action, it’s more immediate and has much greater impact. The readers feel as if they’re there, watching and listening, rather than getting a lacklustre, second-hand account. Consider the following example of telling.

Louise’s ex-husband, Jake, had arrived at her house angry because she’d told him he couldn’t see their children that weekend. He’d hammered on the door demanding to be let in. She’d told him to go home, but he’d continued to bang until he’d disturbed her next door neighbour, Bill, who’d asked him to stop making a noise and go away. Jake had turned on Bill, so Louise had warned him she was phoning the police.

This simply relates the facts, but it comes across as a watered down narrative. The readers barely make contact and there’s no real sense of tension created. Consider now the same scenario shown.

‘Open the door - I want to see me kids!’ yelled Jake, hammering on it so hard that Louise was terrified he’d break it down.
‘Ive already told you - they’re visiting my parents for the weekend,’ she called in a trembling voice.
Jake continued to bang on the door bellowing,
‘Let me in - I want to see them!’
‘Excuse me, but could you possibly stop making that racket,’ came a voice. ‘You’re disturbing the entire neighbourhood.’ To her relief Louise realised it was her next door neighbour, Bill.
‘Get lost you little runt. This is nothing to do with you,’ snapped Jake, turning round to tower threateningly over Bill, who blanched, but didn’t retreat.
‘If you don’t go immediately, I’m phoning the police!’ Louise shouted, knowing that Jake was more than capable of starting a fight.

Dialogue brings the scenario to life. For the readers this is the next best thing to being present at the altercation, virtually able to hear the fury in Jake’s voice, feel Louise’s fear and sense Bill’s determination not to be intimidated.

Speech can also subtly indicate other aspects of a situation. For example, Jake’s dialogue indicates that he’s rough, probably uneducated and is quite prepared to be verbally abusive. The more middle class Bill is polite, if a little pompous, even when annoyed.

In reality, most people’s speech isn’t usually crisp and concise – it’s vague, rambling and full of pauses. But don’t make the mistake of thinking that realistic dialogue should be an accurate reproduction of the way people actually speak.

In fiction, speech should distil the essence of what someone would say in real life, a précis which conveys the crucial information only.Don’t have characters exchanging greetings and enquiring after each other’s health, cat or elderly relative and avoid commonplace exchanges about the weather. Ask yourself if what they say moves the story along, and if it doesn’t, use the delete key.

Another thing to bear in mind is that most people abbreviate when they speak – eg ‘I’m’ for ‘I am,’ ‘we’ll’ for ‘we will’ etc. Only have a character saying, ‘I do not believe we have been introduced,’ instead of, ‘I don’t believe we’ve been introduced,’ if you want to indicate that this person is formal, with a deliberate and rather pedantic way of speaking.

Some writers try too hard to avoid using the verb said and come up with every possible alternative, most of which jar the readers. Verbs like opined, inferred or expostulated serve only to slow the pace. It’s better to repeat Paul said or stick to simpler alternatives like replied, asked, or shouted. You don’t always need to state who’s speaking, because if you’ve laid your dialogue out correctly it’ll be obvious, as in this example.

‘Are you being forced to go to that boring concert like the rest of us?’ George asked.
‘I’m afraid so,’ replied Jess. ‘I’m dreading it.’
‘Me too. Would you like to go for a drink afterwards?’
‘That would be lovely.’

You don’t need to add George/he said to the penultimate sentence or Jess/she said to the last one, as it’s obvious who’s speaking. It’s important that you learn to lay out and punctuate dialogue correctly, not only because it makes your meaning clearer, but because editors find it irritating if you don’t. Most of them are busy people who don’t have time to correct erroneous layout – they’ll simply reject your work instead, however good it is. Luckily, the guidelines are fairly simple. You should begin a new indented line for each character each time they speak. The punctuation around speech goes inside the inverted commas.

‘That’s my chair,’ he told her.
‘No it isn’t - it’s mine,’ she said.

If you have a character making a long speech, you can continue the speech into a second paragraph. This is a device to be used sparingly because if one person talks for too long, another will interrupt. When doing this, you shouldn’t close the inverted commas at the end of the first paragraph, but you should open them at the beginning of the second. This makes it clear that it’s still the same character speaking.

‘Honestly, Liz, he talked about himself for the entire meal and managed four courses, all without apparently drawing breath.
‘By the time we reached coffee ... well, let me put it this way, I ordered espresso because otherwise I’d have been face down in the after dinner mints snoring gently.’

Showing rather than telling makes your work much more vital and alive. Well-written dialogue should not only carry the plot forward and add drama, it should also define the characters by what they say, how they say it and how other characters react. As you sweep the readers along in the world you’ve created, they’ll feel as if they’re actually there.

Lesley Cryer is a freelance writer and part-time university lecturer with a General Arts degree in English and American literature. The author of fourteen contemporary novels, four period novels and a humorous book, she has also written for children’s TV and the BBC. She has been a regular contributor of short stories and features to national publications and produced scripts on a wide variety of subjects for independent film and video production companies.

TOP TIPS...

Ten Top Tips for profiting from photography

Writers can quadruple their chances of acceptance and double their fees by submitting photos with their words...and with digital images you don’t need to be an expert photographer to provide saleable photos with your work. So here are some tips on profiting from your photography:

1. Remember that a good picture is worth a thousand words. If you can provide photos you save a busy editor time sourcing pics to illustrate your article. This can be a huge factor in determining whether your work is accepted or rejected.

2. You don’t need an expensive camera but you do need to learn to use it properly. Know it so well that you never have to refer to the instruction booklet and can remember all the modes without thinking.

3. Always take more pictures that you expect to use – it doesn’t cost any more and you can delete the rubbish. But you may just get an unexpected bonus!

4. Make sure that you save your images securely and that you have two copies of each set – one as back up, and one to work on.

5. Few photos can be submitted without being enhanced in some way; so learn to manipulate your images. Buying a good manipulation package such as Adobe’s Photoshop Element or Adobe’s Photoshop (depending on how technical you want to get) is a good investment.

6. Learn to think visually. Do this by studying articles in magazines and the colour supplements to see how they are illustrated.

7. Beautiful sunsets and pastoral scenes are all very well, but editors usually want photos that involve people. And they prefer people who are doing something interesting that will involve the reader in the subject matter.

8. If you intend to send photos electronically, always find out the magazine’s preferred format and then use it.

9. If sending photos on a CD by post, enclose a covering letter together with a printout of your article and a printout of the caption sheet. A clear, descriptive caption for each photo is essential and each image on the CD should be numbered sequentially so that they can be identified easily on the caption sheet.

10. Make it very clear that you are giving permission for ‘single reproduction rights only’. By doing this, if an editor wants to re-use them he has to pay again! Alternatively you can use the pics again when you re-write your article for another publication!

USEFUL SITES FOR WRITERS

http://www.CompletelyNovel.com
Another recommended website for your perusal. This is an “online community which links writers and their books to a network of readers, print-on-demand printers and publishers... all for free! Writers can use the publishing and promotional tools on CompletelyNovel.com to get feedback, reviews and sales of their books.” Once you have some feedback on your work the idea is that you use this to convince publishers or agents that your writing has a ready-made market just waiting for it to be published – could work! I have also been given the following code 'CN_WRITERS_01' which allows you to access free expert assistance with manuscript conversion when you sign up.

http://www.dailycognition.com/index.php/2007/04/12/15-strangest-coincidences-in-world-history.html

http://www.listverse.com/2007/11/12/top-15-amazing-coincidences/
If you are like me, you’re going to enjoy these websites – they are fun, full of interesting stories, including the aforementioned co-incidences, and bizarre facts from all over the world. You’ll have to decide which you think are true and which are pure fiction, like the story of the Russian Sleep Experiments (a horrendous incident if true) or the article detailing the 12 most ridiculous lawsuits. But, it’s an amusing source of inspiration. Some made me laugh out loud and others had me gasping in disbelief. However, be warned, if you are easily offended by bad language these sites may not be for you.

http://www.freeimages.co.uk/
This is a free stock photo site. You are only required to register and acknowledge them if you use any of their images. There’s a tutorial to help you get the best out of the site, plus design tips and you can also give back to the site by uploading your own photos. This is just one example of a website like this, but searching with the term ‘free stock photos’ in Google brought up hundreds of others you could explore.

Remember, if you run a website that you think may be of use to our readers, let me know. If I like it, I’ll publish a link to it giving you a free plug. What could be better than that?

END NOTE and a little inspiration

Inspiration

Could you write an article about ...

1st April 1826	Samuel Morey patents the internal combustion engine.
2nd April	World Autism Awareness Day
3rd April 1973	New York is the venue for the first portable cell phone call.
4th April 1581	Sir Francis Drake is knighted by Elizabeth 1st after completing his circumnavigation of the globe.
5th April 1955	Akira Toriyama, a Japanese manga artist, is born in Japan.
6th April 1947	The Tonys – awarded for theatrical achievement – are presented for the first time.
7th April	World Health Day
8th April	Buddha’s Birthday
9th April 2005	HRH Charles, Prince of Wales and Camilla Parker-Bowles are married.
10th April 1710	Copyright is regulated by law for the first time in Great Britain.
11th April 1992	American poet, director and playwright Eve Merriam – probably best known for her controversial book ‘Inner City Mother Goose’ – dies in Manhattan. See end note for a great little poem by Eve.
12th April 1933	Spanish soprano opera singer Montserrat Caballe is born in Barcelona.
13th April 1997	The Masters Golf Tournament is won by the youngest ever player – Tiger Woods.
14th April 1986	Gopalganj, Bangladesh is hit by 1kg hailstones, the largest ever recorded.
15th April 1452	Leonardo da Vinci – the Italian Renaissance polymath, painter, anatomist and inventor, amongst other things – is born illegitimately in Florence, Italy.
16th April 1853	The first passenger rail from Bori Bunder, Bombay to Thane opens up in India.
17th April	World Haemophilia Day
18th April 1506	The cornerstone of Italy’s famous Basilica Papale di San Pietro in Vaticano – better known as St Peter’s Basilica – is laid.
19th April 1909	The beatification of Joan of Arc takes place.
20th April 1968	The infamous ‘Rivers of Blood Speech’ is given by English politician Enoch Powell.
21st April 1944	French women receive the right to vote.
22nd April	Earth Day
23rd April	St George’s Day, UK
24th April 1704	The Boston News-Letter is published for the first time making it the first regular newspaper in the USA.
25th April	ANZAC day
26th April 1964	Tanzania is formed by the joining of Tanganyika and Zanzibar.
27th April 1981	The first computer mouse is introduced by Xerox PARC.
28th April 2001	The first space tourist – millionaire Dennis Tito – blasts off on his very expensive holiday.
29th April	International Dance Day
30th April 1938	The first televised FA Cup final took place between Preston North End and Huddersfield Town.

So, to finish off this month here’s a link that takes you to ‘Weather’ a short, sweet poem by Eve Merriam based on onomatopoeia – hope you like it as much as I do.

This month’s game is a fun physics-based game that entails you having to build a Fantastic Contraption – loved the name too – to reach your goal whilst using as little energy as possible – had me playing for hours. http://www.physicsgames.net/game/Fantastic_Contraption_Prius_Edition.html

And finally, if you found something of use to you in this issue please pass the word on to all your writer friends – and even those who don’t! You never know, you might inspire them to take it up. They can sign up here.

See you next month.

Shelley x

P.S. Don’t forget our Writer of the Year Competition!

As usual, if you've any suggestions or would like to comment on anything you have read then please contact me at: ezeewriter@writersbureau.com

THE WRITERS BUREAU, SEVENDALE HOUSE, 7 DALE STREET,
MANCHESTER, M1 1JB, ENGLAND.

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Vicki Harwood Writers Bureau's Student of the Year 2018

“My tutor and The Writers Bureau changed my life. It’s easy to say that but the proof is in the number of books I’ve published through my own company. Thanks to the course I have full control of my work and can write confidently in a multitude of different fields. It certainly opened my eyes to the industry and equipped me with the confidence and skills to have a go at anything.”

Elsye Harwood - Writers Bureau Writer of the Year 2018

Read Elsye's full story

Lou Carter "After completing the course I began writing as much as I could and in 2014 I was finally signed by my agent and within two months I had a contract with Bloomsbury.

To date I have nine picture book contracts all at various stages of publication. There Is No Dragon In This Story (Bloomsbury) and Pirate Stew (Orchard) both published last summer and Oscar The Hungry Unicorn (Orchard) is due to be released on Sept 20th 2018. "

Lou Carter

Sarah Leavesly "Since starting The Art of Writing Poetry course, I have been published many times under my pen name Sarah James, won competitions and made money."

Sarah Leavesley

Noel Gama "I was so excited about the immense potential of the Internet that I enrolled for yet another Writers Bureau course, ‘Writing for the Internet'."

Noel Gama

"The course has helped me write a story that evokes strong emotions; the constructive but motivational feedback I received from The Writers Bureau has helped me knock down the barriers to self-doubt. Recently, I held my first book launch where I talked about how and why I wrote my story."

Gillian Atack

Read Gillian's Story

"My short-term intention is to continue combining writing for newspapers and magazines with my current job. I'm enjoying my writing 'sideline' but I may find as time goes on that I want to make the transition to full-time writer."

Cathal Coyle

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- 7.1.2 Some or all of your data may be stored outside of the European Economic Area ("the EEA") (The EEA consists of all EU member states, plus Norway, Iceland, and Liechtenstein). You are deemed to accept and agree to this by using Our Site and submitting information to Us. If We do store data outside the EEA, We will take all reasonable steps to ensure that your data is treated as safely and securely as it would be within the UK and under the GDPR.
7.2 Data security is very important to Us, and to protect your data We have taken suitable measures to safeguard and secure data collected through Our Site.
7.3 Steps We take to secure and protect your data include:
- 7.3.1 Installation of a suitable SSL security certificate
7.4 Where Your Data is Stored Before Enrolment:

The details you supplied when requesting information are securely stored on our server and are used to send you information about our courses and services.

We use Communigator as our emailing system and your name and email address are stored therein and are used to send you information about our courses and services.
7.5 Where Your Data is Stored After Enrolment:

We use Communigator as our emailing system and your name and email address are stored therein and are used to update you with WB news.

If you paid by card: We use SagePay or PayPal to process your card payments so your details are stored therein.

If you paid by direct debit: We use FastPay to process direct debit payments and your details are stored therein.

Your enrolment details and progress through the course are securely stored on our server.

If you enrolled by phone or post and have been given access to the online course materials your name and email address are stored on our website.

If you enrolled online, your details are stored on The Writers Bureau website.

Information provided on the Market Research Questionnaire, which you complete with your first assignment, is not stored against any identifying information about you and is only used to gain a general profile of our student body.

Information provided on the Personal Profile Questionnaire, which you complete with your first assignment, is not recorded or held at head office for profiling or any other purposes. This is sent to your tutor to help them get to know you a little and therefore be in a better position to help you with your studies.
7.6 Where Your Data is Stored When You Enter A Competition:

We use Communigator as our emailing system and your name and email address are stored therein and are used to update you with Competition news.

If you paid by card: Your details, except card details, are stored within our cart. We use SagePay or PayPal to process your card payments so your details are stored therein.

Your entry details are securely stored on our server.
7.7 Where Your Data is Stored When You Join The Association of Freelance Writers:

We use Communigator as our emailing system and your name and email address are stored therein and are used to update you with AFW news.

If you paid by card: Your details, except card details, are stored within our cart. We use SagePay or PayPal to process your card payments so your details are stored therein.

Your membership details are securely stored on our server.

8 - Do We Share Your Data?

8.1 Subject to section 8.2, We will not share any of your data with any third parties other than those cited in sections 7.5 - 7.8.
8.2 In certain circumstances, We may be legally required to share certain data held by Us, which may include your personal data, for example, where We are involved in legal proceedings, where We are complying with legal obligations, a court order, or a governmental authority.
8.3 We may compile statistics about the use of Our Site including data on traffic, usage patterns, user numbers, sales, and other information. All such data will be anonymised and will not include any personally identifying data, or any anonymised data that can be combined with other data and used to identify you. We may from time to time share such data with third parties such as prospective investors, affiliates, partners, and advertisers. Data will only be shared and used within the bounds of the law.
8.4 We may sometimes use third party data processors that are located outside of the European Economic Area ("the EEA") (The EEA consists of all EU member states, plus Norway, Iceland, and Liechtenstein). Where We transfer any personal data outside the EEA, We will take all reasonable steps to ensure that your data is treated as safely and securely as it would be within the UK and under the GDPR.

9 - What Happens If Our Business Changes Hands?

9.1 We may, from time to time, expand or reduce Our business and this may involve the sale and/or the transfer of control of all or part of Our business. Any personal data that you have provided will, where it is relevant to any part of Our business that is being transferred, be transferred along with that part and the new owner or newly controlling party will, under the terms of this Privacy Policy, be permitted to use that data only for the same purposes for which it was originally collected by Us.
9.2 In the event that any of your data is to be transferred in such a manner, you will not be contacted in advance and informed of the changes.

10 - How Can You Control Your Data?

10.1 When you submit personal data via Our Site, you may be given options to restrict Our use of your data. In particular, We aim to give you strong controls on Our use of your data for direct marketing purposes (including the ability to stop receiving emails from Us which you may do by unsubscribing using the links provided in Our emails).
10.2 You may also wish to sign up to one or more of the preference services operating in the UK: The Telephone Preference Service ("the TPS"), the Corporate Telephone Preference Service ("the CTPS"), and the Mailing Preference Service ("the MPS"). These may help to prevent you receiving unsolicited marketing. Please note, however, that these services will not prevent you from receiving marketing communications that you have consented to receiving.

11 - Your Right to Withhold Information

11.1 You may access certain areas Our Site without providing any data at all. However, to use all features and functions available on Our Site you may be required to submit or allow for the collection of certain data.
11.2 You may restrict Our use of Cookies. For more information, see section 13

12 - How Can You Access Your Data?

You have the right to ask for a copy of any of your personal data held by Us (where such data is held). Under the GDPR, no fee is payable and We will provide any and all information in response to your request free of charge. Please contact Us for more details at studentservices@writersbureau.com, or using the contact details below in section 14.

13 - Our Use of Cookies

13.1 Our Site may place and access certain first party Cookies on your computer or device. First party Cookies are those placed directly by Us and are used only by Us. We use Cookies to facilitate and improve your experience of Our Site and to provide and improve Our products and services. We have carefully chosen these Cookies and have taken steps to ensure that your privacy and personal data is protected and respected at all times.
13.2 By using Our Site you may also receive certain third party Cookies on your computer or device. Third party Cookies are those placed by websites, services, and/or parties other than Us. Third party Cookies are used on Our Site for advertising services. For more details, please refer to section 6, above, and to section 13.6 below. These Cookies are not integral to the functioning of Our Site and your use and experience of Our Site will not be impaired by refusing consent to them.
13.3 All Cookies used by and on Our Site are used in accordance with current Cookie Law.
13.4 Before Cookies are placed on your computer or device, you will be shown a popup requesting your consent to set those Cookies. By giving your consent to the placing of Cookies you are enabling Us to provide the best possible experience and service to you. You may, if you wish, deny consent to the placing of Cookies; however certain features of Our Site may not function fully or as intended.
13.5 Certain features of Our Site depend on Cookies to function. Cookie Law deems these Cookies to be "strictly necessary". These Cookies are shown below in section 13.6. Your consent will not be sought to place these Cookies, but it is still important that you are aware of them. You may still block these Cookies by changing your internet browser’s settings as detailed below in section 13.10, but please be aware that Our Site may not work properly if you do so. We have taken great care to ensure that your privacy is not at risk by allowing them.
13.6 The following first party Cookies may be placed on your computer or device:

Name of Cookie	Purpose	Strictly Necessary
__utmb	Analytics Cookie	Yes
__utmt_~1	Analytics Cookie	Yes
__utmt	Analytics Cookie	Yes
__utmc	Analytics Cookie	Yes
__utma	Analytics Cookie	Yes
__utmz	Analytics Cookie	Yes
__PHPSESSID	Analytics Cookie	Yes

13.7 Our Site uses analytics services provided by Google Analytics. Website analytics refers to a set of tools used to collect and analyse anonymous usage information, enabling Us to better understand how Our Site is used. This, in turn, enables Us to improve Our Site and the products and services offered through it. You do not have to allow Us to use these Cookies, however whilst Our use of them does not pose any risk to your privacy or your safe use of Our Site, it does enable Us to continually improve Our Site, making it a better and more useful experience for you.
13.8 The analytics service(s) used by Our Site use(s) Cookies to gather the required information.
13.9 The analytics service(s) used by Our Site use(s) the following Cookies:

Name of Cookie	First / Third Party	Provider	Purpose
_ga	Third Party	Google Analytics	Analytics Cookie
_gac_UA- 3238985-6	Third Party	Google Analytics	Analytics Cookie

13.10 In addition to the controls that We provide, you can choose to enable or disable Cookies in your internet browser. Most internet browsers also enable you to choose whether you wish to disable all cookies or only third party Cookies. By default, most internet browsers accept Cookies but this can be changed. For further details, please consult the help menu in your internet browser or the documentation that came with your device.
13.11 You can choose to delete Cookies on your computer or device at any time, however you may lose any information that enables you to access Our Site more quickly and efficiently including, but not limited to, login and personalisation settings.
13.12 It is recommended that you keep your internet browser and operating system up-to-date and that you consult the help and guidance provided by the developer of your internet browser and manufacturer of your computer or device if you are unsure about adjusting your privacy settings.
Our Site may place and access certain first party Cookies on your computer or device. First party Cookies are those placed directly by Us and are used only by Us. We use Cookies to facilitate and improve your experience of Our Site and to provide and improve Our products and services. By using Our Site you may also receive certain third party Cookies on your computer or device. Third party Cookies are those placed by websites, services, and/or parties other than Us. Third party Cookies are used on Our Site for advertising services. In addition, Our Site uses analytics services provided by Google Analytics, which also use Cookies. Website analytics refers to a set of tools used to collect and analyse usage statistics, enabling Us to better understand how people use Our Site. For more details, please refer to Our Cookie section in this document

14 - Contacting Us

If you have any questions about Our Site or this Privacy Policy, please contact Us by email at studentservices@writersbureau.com, by telephone on 0161 819 9922, or by post at 8-10 Dutton Street, Manchester, M3 1LE. Please ensure that your query is clear, particularly if it is a request for information about the data We hold about you (as under section 12, above).

15 - Changes to Our Privacy Policy

We may change this Privacy Policy from time to time (for example, if the law changes). Any changes will be immediately posted on Our Site and you will be deemed to have accepted the terms of the Privacy Policy on your first use of Our Site following the alterations. We recommend that you check this page regularly to keep up-to-date.

THE WRITERS BUREAU STUDENT STORIES